In the early 90s, I was fortunate enough to see Bill Hicks perform live, not once but twice, in the West End. It is not an overstatement to say that both those nights were life-changing experiences for me. Not a month goes by without me slipping on one of his albums and immersing myself in his words.
He was more than a comedian (although I’m sure he would have disputed that), and his routines remain vital and powerful, due to the timelessness of the material: The War in Iraq, the Bush presidency, the corruption of popular culture, the skewed agenda of news media. And, of course, they were damn funny. The world hasn’t come a long way since the days when Bill Hicks was one of our most perceptive and articulate commentators.
I am grateful every day that I got the opportunity to see him weave his magic over a packed house. When he was on fire, he could hold a room in his grasp for hours, luring you in with dick jokes, before seamlessly moving on to more substantial material, the roaring laughter giving way imperceptibly to a hypnotised silence.
He was 32 when he died. I’m going to be 34 this year. I find it hard to reconcile those two facts sometimes. For some reason I can’t quite nail down, the following segment from one of his shows has been gnawing away at me today, and I wanted to share it with you.
“The world is like a ride at an amusement park. And when you choose to go on it, you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time, and they begin to question: Is this real, or is this just a ride? And other people have remembered, and they come back to us, they say, 'Hey – don't worry, don't be afraid ever, because this is just a ride ...' And we ... kill those people. Ha ha, 'Shut him up. We have a lot invested in this ride. Shut him up. Look at my furrows of worry. Look at my big bank account and my family. This just has to be real.' It's just a ride. But we always kill those good guys who try and tell us that, you ever notice that? And let the demons run amok. But it doesn't matter, because – it's just a ride. And we can change it anytime we want. It's only a choice. No effort, no work, no job, no savings and money. A choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defences each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.”
Thursday, March 02, 2006
Tuesday, February 21, 2006
Word is a four-letter word
Over the last few weeks, I’ve come to realise something. I can’t write properly in February. I don’t know why. Maybe it’s the unremittingly grim weather. Maybe the cold atrophies the bit of my brain that strings all the words together. There’s a frozen blockage in my brainpipes that I can’t get through. Every time I try to write something (and this includes blog postings), the words come out all twisted and mangled and broken, and I’m stuck with bad grammar and clumsy phrasing and poorly-selected adjectives, and I struggle to get the pictures in my head out onto the page.
It’s driving me crazy. Mostly because I’m one of those people who actually enjoys the process of writing. A lot of writers hate it. Not me. I like all the research and thinking and wondering and toying with words. Welding together disparate ideas. Solving problems. I love the moment when I can take the stabilisers off the wobbly sentences and watch them sail away confidently, like a proud parent shepherding the malformed offerings and turning them into independent entities that I can hurl out into the world.
Writing this is just another attempt at blasting through the blockage. Let’s hope it worked.
It’s driving me crazy. Mostly because I’m one of those people who actually enjoys the process of writing. A lot of writers hate it. Not me. I like all the research and thinking and wondering and toying with words. Welding together disparate ideas. Solving problems. I love the moment when I can take the stabilisers off the wobbly sentences and watch them sail away confidently, like a proud parent shepherding the malformed offerings and turning them into independent entities that I can hurl out into the world.
Writing this is just another attempt at blasting through the blockage. Let’s hope it worked.
Monday, February 20, 2006
My Friend Flickr
Seeing as I am pathologically incapable of writing anything coherent recently, I’ve been tinkering with the blog again. I’ve scavenged some old photos taken on my mobile phone and uploaded them to my Flickr account – you can find the link under Places and Spaces in the right-hand column.
When I finally get around to buying a memory card for my camera, I can start sticking all kinds of crap there. But for now, it’s just miniscule grainy pics snapped on my phone.
That is all.
When I finally get around to buying a memory card for my camera, I can start sticking all kinds of crap there. But for now, it’s just miniscule grainy pics snapped on my phone.
That is all.
Thursday, February 09, 2006
When I'm right, I'm right
An addendum to my earlier post about the Jyllands-Posten cartoons. I just saw this breaking news.
See? I told you. This has nothing to do with Freedom of Speech.
Sometimes I hate being right.
See? I told you. This has nothing to do with Freedom of Speech.
Sometimes I hate being right.
Cartoon Fretwork
Comicbook curmudgeon Harvey Pekar once famously said: "Comics are just words and pictures. You can do anything with words and pictures."
You can even set the world on fire.
Much has been written in recent days about the cartoon pictures published in the Danish newspaper Jyllands-Posten, and a huge amount that has been written is either a load of shit, or it just misses the point completely.
Let’s see if I can be the voice of reason for a change. Before I get my rant on, a couple of things to get out of the way: I absolutely, totally and wholeheartedly support Freedom of Speech in all ways, shapes and forms. I might not like what you’ve got to say, but I support your right to say it. But, and it is a huge big ol’ booty of a but, no matter what Jyllands-Posten says, or how they are spinning the hell out of this, this really has very little to do with Freedom of Speech.
Freedom of Speech is the Big Honking Red Herring in all of this. Just because you can publish anything, it doesn’t mean that you should. Or that this Freedom should automatically override other important concerns like sensitivity and quality control, two things lacking in this situation.
Secondly, for the purposes of context, the cartoons can be seen here.
Lastly, let’s have a quick look at the dictionary definition of cartoon. Ready?
1. A drawing depicting a humorous situation, often accompanied by a caption.
2. A drawing representing current public figures or issues symbolically and often satirically.
OK. Pre-amble over, this is what I think:
The cartoons are a bunch of crap. In every conceivable way. Badly drawn. No discernable satiric intent. And, here’s the kicker: They Just Aren’t Funny. Offensive things can be funny, and vice versa. Just doesn’t happen to apply in this scenario. There’s no getting around this one: the shit ain’t funny.
For a cartoon to succeed on any level, it has to be either Funny or Satirical. Neither of those elements are present here.
I find it nigh on impossible to discern any kind of tangible satirical intent behind the cartoons. And the reason I can’t find any satirical intent is because there is none! I’ll prove it to you:
Imagine a cartoon where there’s a drawing of Jesus Christ stringing up a couple of black guys from a tree, with a burning cross in the background. Offensive, right? Not funny. Or satirical.
But, the cartoonist protests, there are devout Christians in the Ku Klux Klan! At this point, any sane newspaper editor would have shown the cartoonist the door.
Know why? Because it is blatantly offensive in so many ways. Some extremists are Islamic, but not all worshippers of Islam are extremists. See? It may be a subtle distinction for your average Danish newspaper editor, but it’s pretty damn obvious to me.
The most contentious cartoon portrays Mohammed with a bomb in his turban. It paints all Muslims as suicide-bombers, which is a blatant falsehood. Just like my Jesus example, which paints all Christians as white supremacists.
Muslims the world over have every right to be outraged. Obviously, I think death threats and destruction are not a proportional response. It’s excessive and tragic and just continues to perpetuate this solitary skewed image of Muslims, because it’s the only one which gets into the news cycle.
But cartoons attacking any other strata of our Burning Global Village, be it blacks, gays, women, Jews, Christians, whatever, would just not have seen print in newspapers the world over in the same way. No editor would even consider publishing such things.
And that is the great hypocrisy at the heart of this whole situation. In a nutshell: Newspaper prints cartoons. Angry Muslims riot. And people then turn around and go: “See? Those Muslims are violent! The cartoons were right!”
Depressing and dispiriting on so many levels.
You can even set the world on fire.
Much has been written in recent days about the cartoon pictures published in the Danish newspaper Jyllands-Posten, and a huge amount that has been written is either a load of shit, or it just misses the point completely.
Let’s see if I can be the voice of reason for a change. Before I get my rant on, a couple of things to get out of the way: I absolutely, totally and wholeheartedly support Freedom of Speech in all ways, shapes and forms. I might not like what you’ve got to say, but I support your right to say it. But, and it is a huge big ol’ booty of a but, no matter what Jyllands-Posten says, or how they are spinning the hell out of this, this really has very little to do with Freedom of Speech.
Freedom of Speech is the Big Honking Red Herring in all of this. Just because you can publish anything, it doesn’t mean that you should. Or that this Freedom should automatically override other important concerns like sensitivity and quality control, two things lacking in this situation.
Secondly, for the purposes of context, the cartoons can be seen here.
Lastly, let’s have a quick look at the dictionary definition of cartoon. Ready?
1. A drawing depicting a humorous situation, often accompanied by a caption.
2. A drawing representing current public figures or issues symbolically and often satirically.
OK. Pre-amble over, this is what I think:
The cartoons are a bunch of crap. In every conceivable way. Badly drawn. No discernable satiric intent. And, here’s the kicker: They Just Aren’t Funny. Offensive things can be funny, and vice versa. Just doesn’t happen to apply in this scenario. There’s no getting around this one: the shit ain’t funny.
For a cartoon to succeed on any level, it has to be either Funny or Satirical. Neither of those elements are present here.
I find it nigh on impossible to discern any kind of tangible satirical intent behind the cartoons. And the reason I can’t find any satirical intent is because there is none! I’ll prove it to you:
Imagine a cartoon where there’s a drawing of Jesus Christ stringing up a couple of black guys from a tree, with a burning cross in the background. Offensive, right? Not funny. Or satirical.
But, the cartoonist protests, there are devout Christians in the Ku Klux Klan! At this point, any sane newspaper editor would have shown the cartoonist the door.
Know why? Because it is blatantly offensive in so many ways. Some extremists are Islamic, but not all worshippers of Islam are extremists. See? It may be a subtle distinction for your average Danish newspaper editor, but it’s pretty damn obvious to me.
The most contentious cartoon portrays Mohammed with a bomb in his turban. It paints all Muslims as suicide-bombers, which is a blatant falsehood. Just like my Jesus example, which paints all Christians as white supremacists.
Muslims the world over have every right to be outraged. Obviously, I think death threats and destruction are not a proportional response. It’s excessive and tragic and just continues to perpetuate this solitary skewed image of Muslims, because it’s the only one which gets into the news cycle.
But cartoons attacking any other strata of our Burning Global Village, be it blacks, gays, women, Jews, Christians, whatever, would just not have seen print in newspapers the world over in the same way. No editor would even consider publishing such things.
And that is the great hypocrisy at the heart of this whole situation. In a nutshell: Newspaper prints cartoons. Angry Muslims riot. And people then turn around and go: “See? Those Muslims are violent! The cartoons were right!”
Depressing and dispiriting on so many levels.
Thursday, February 02, 2006
Bing!
Today is February the 2nd. Which means that it is Groundhog Day. (This is annoyingly apt, seeing as all my days at the moment seem to be depressingly similar to one another. Anyway...)
Punxsutawney Phil has decreed that there will be six more weeks of winter. Little fucker. I’m getting fed up of this weather. Frickin’ brass monkeys out there today.
Punxsutawney Phil has decreed that there will be six more weeks of winter. Little fucker. I’m getting fed up of this weather. Frickin’ brass monkeys out there today.
Monday, January 23, 2006
Call Me Ishmael
Barely three weeks into the New Year, and London is getting decidedly odd very, very quickly.
Celebrity Big Brother is horrific and compelling viewing – I need a shower after watching the damn thing. Pete Burns and his monkey coat, George Galloway and his cat impersonation, Michael Barrymore’s very public meltdown as he descends into a mire of Obsessive Compulsive Disorder, slurred speech that would make Ozzy Ozbourne proud, and a growing repertoire of scary facial tics, whilst, unbeknownst to him, there are people waiting outside to serve him with legal papers. When Dennis Rodman is the voice of reason in such a Melting Point of the Strange, you know that the world has tilted somewhat off its axis.
At the other end of the weird scale, there’s the tragic story of the whale trapped in the Thames. What started as a story picked up for its sheer, downright oddness quickly graduated to wonder, awe, and an inspiring rallying of spirit to try and rescue the whale and return it home. I followed the story all day Saturday, and surprised myself with how gutted I was when the whale died. Amazing pictures here and here.
Also, been dabbling with some more webfuckery on this page, trying to collect things in one place. In the left-hand column, you will now find links to my Bloglines blogroll, collecting all the blogs I check on a daily basis. Plus, I’ve set myself up with a del.icio.us page in which to hurl all my accumulated stray urls that I found shoved in old e-mails, scraps of paper, in my browser history and many, many other places. Probably won’t need access to any of those links in a hurry, but it’s nice to find somewhere to keep them all handy if I need to get hold of them. Feel free to have a dig through them. You can always pretend you are shuffling through the teetering mounds of scrap paper on my desk, whilst jabbing a sharp stick at the disparate preoccupations that gnaw away at my psyche.
At some point, I’ll add a Flickr link, once I finally get around to populating my Flickr page with photos. Sucker Punch, embracing Web 2.0 in 2006!
Celebrity Big Brother is horrific and compelling viewing – I need a shower after watching the damn thing. Pete Burns and his monkey coat, George Galloway and his cat impersonation, Michael Barrymore’s very public meltdown as he descends into a mire of Obsessive Compulsive Disorder, slurred speech that would make Ozzy Ozbourne proud, and a growing repertoire of scary facial tics, whilst, unbeknownst to him, there are people waiting outside to serve him with legal papers. When Dennis Rodman is the voice of reason in such a Melting Point of the Strange, you know that the world has tilted somewhat off its axis.
At the other end of the weird scale, there’s the tragic story of the whale trapped in the Thames. What started as a story picked up for its sheer, downright oddness quickly graduated to wonder, awe, and an inspiring rallying of spirit to try and rescue the whale and return it home. I followed the story all day Saturday, and surprised myself with how gutted I was when the whale died. Amazing pictures here and here.
Also, been dabbling with some more webfuckery on this page, trying to collect things in one place. In the left-hand column, you will now find links to my Bloglines blogroll, collecting all the blogs I check on a daily basis. Plus, I’ve set myself up with a del.icio.us page in which to hurl all my accumulated stray urls that I found shoved in old e-mails, scraps of paper, in my browser history and many, many other places. Probably won’t need access to any of those links in a hurry, but it’s nice to find somewhere to keep them all handy if I need to get hold of them. Feel free to have a dig through them. You can always pretend you are shuffling through the teetering mounds of scrap paper on my desk, whilst jabbing a sharp stick at the disparate preoccupations that gnaw away at my psyche.
At some point, I’ll add a Flickr link, once I finally get around to populating my Flickr page with photos. Sucker Punch, embracing Web 2.0 in 2006!
Monday, January 16, 2006
Can I Click It?
Yes, you can.
No time for my usual brand of meandering bullshit today. Instead, I provide you with clicky goodness to fill the gap. Enjoy:
Read the first issue of Warren Ellis and Ben Templesmith’s really very excellent crime comic FELL absolutely free!
The Friday Project has the best suggestion ever to rid the homes, streets, busses and trains of London from the menace of Dan Brown and his bloody awful books.
As Member of Parliament for Bethnal Green and Bow, George Galloway MP earns an annual basic salary of £61,708. Paid by you, the British taxpayer. So what's he doing as a contestant in Celebrity Big Brother? This is how much Gorgeous George's Respect for his constituents has cost you so far.
No time for my usual brand of meandering bullshit today. Instead, I provide you with clicky goodness to fill the gap. Enjoy:
Read the first issue of Warren Ellis and Ben Templesmith’s really very excellent crime comic FELL absolutely free!
The Friday Project has the best suggestion ever to rid the homes, streets, busses and trains of London from the menace of Dan Brown and his bloody awful books.
As Member of Parliament for Bethnal Green and Bow, George Galloway MP earns an annual basic salary of £61,708. Paid by you, the British taxpayer. So what's he doing as a contestant in Celebrity Big Brother? This is how much Gorgeous George's Respect for his constituents has cost you so far.
Thursday, January 12, 2006
Chocolate coated, freaky and habit-forming
“Good evening.
Do not attempt to adjust your radio, there is nothing wrong.
We have taken control as to bring you this special show.
We will return it to you as soon as you are grooving.”
Parliament – P-Funk (Want to Get Funked Up)
So, the revitalisation of Sucker Punch begins. If you scroll down the right-hand column, at some point you’ll get to a section called Funk Fiction, and a red box full of the platters that matter I been listening to for the last week on Last FM. Just cracking my head open for y’all to take a peek at the funk in my trunk. I believe that the box is refreshed on a weekly basis listing the noises in my head.
Why Funk Fiction? Well, a long time ago, I can’t remember exactly when, but I’m guessing about twelve years ago, I used to D.J. And I D.J.ed under the name Funk Fiction. We had these beautiful flyers with the words Funk Fiction emblazoned across the top, over that iconic image of Jules and Vincent with their gunarms outstretched and unloading. You know the one.
Underneath that were the words: “Big Funk. Small Funk. All Kinds of Funk. Get Blown Away at…” and the date and location of wherever we were playing.
I didn’t D.J. for long, partly because I already had a day job, partly because we were always getting ripped off and underpaid, but I loved it. I was shameless in my promise of “All Kinds of Funk”. The Red Hot Chilli Peppers would be followed by Miles Davis, and Public Enemy butted up against Earth, Wind and Fire. In the words of James Brown: “Whatsever I play, it’s got to be funky.” And we certainly delivered.
I always used to start the set with a really exclamatory chunk o’ funk, something like Ice Cube’s Bop Gun or the New Power Generation’s The Exodus Has Begun. And the nights always, always ended the same way. With the Staples Singers and Let’s Do It Again, followed by a soundbite from Pulp Fiction where Jules and Vincent unload their guns. Loudly. As the gunshots echoed, the lights would come up and it would all be over. It Was Great.
I would go to bed those nights (mornings?), with white noise and static thrumming in my ears as I tried to decompress, the smell of cigarette smoke in my hair, and a salty stew of alcohol and exhilaration sweat slowly cooling on my skin.
“Sweet love in the midnight
Good sleep, come mornin' light
No worries 'bout nothin'
Just gettin' good, just gettin' good
Just gettin' good love”
Staples Singers – Let’s Do It Again
Do not attempt to adjust your radio, there is nothing wrong.
We have taken control as to bring you this special show.
We will return it to you as soon as you are grooving.”
Parliament – P-Funk (Want to Get Funked Up)
So, the revitalisation of Sucker Punch begins. If you scroll down the right-hand column, at some point you’ll get to a section called Funk Fiction, and a red box full of the platters that matter I been listening to for the last week on Last FM. Just cracking my head open for y’all to take a peek at the funk in my trunk. I believe that the box is refreshed on a weekly basis listing the noises in my head.
Why Funk Fiction? Well, a long time ago, I can’t remember exactly when, but I’m guessing about twelve years ago, I used to D.J. And I D.J.ed under the name Funk Fiction. We had these beautiful flyers with the words Funk Fiction emblazoned across the top, over that iconic image of Jules and Vincent with their gunarms outstretched and unloading. You know the one.
Underneath that were the words: “Big Funk. Small Funk. All Kinds of Funk. Get Blown Away at…” and the date and location of wherever we were playing.
I didn’t D.J. for long, partly because I already had a day job, partly because we were always getting ripped off and underpaid, but I loved it. I was shameless in my promise of “All Kinds of Funk”. The Red Hot Chilli Peppers would be followed by Miles Davis, and Public Enemy butted up against Earth, Wind and Fire. In the words of James Brown: “Whatsever I play, it’s got to be funky.” And we certainly delivered.
I always used to start the set with a really exclamatory chunk o’ funk, something like Ice Cube’s Bop Gun or the New Power Generation’s The Exodus Has Begun. And the nights always, always ended the same way. With the Staples Singers and Let’s Do It Again, followed by a soundbite from Pulp Fiction where Jules and Vincent unload their guns. Loudly. As the gunshots echoed, the lights would come up and it would all be over. It Was Great.
I would go to bed those nights (mornings?), with white noise and static thrumming in my ears as I tried to decompress, the smell of cigarette smoke in my hair, and a salty stew of alcohol and exhilaration sweat slowly cooling on my skin.
“Sweet love in the midnight
Good sleep, come mornin' light
No worries 'bout nothin'
Just gettin' good, just gettin' good
Just gettin' good love”
Staples Singers – Let’s Do It Again
Thursday, January 05, 2006
4 8 15 16 23 42
I think I must have somehow rewired my DNA over the Christmas break, because I have gained the ability to defy sleep…
The family were away last night and I was left to my own devices (never a good thing), which meant I eventually forced myself to go to bed at around 3.30am…and I struggled to get to sleep even then…and I woke up three hours later to get ready for work and I feel absolutely fine. Invigorated. I can’t decide whether or not this is a Bad Thing.
I’ve got into the habit of watching loads of Lost re-runs over the last week or so. Frickin’ obsessed with that show. I see Hurley’s numbers everywhere, flickering behind my eyelids like Tetris blocks…
So, last night, I dug out the half-bottle of brandy that I bought for Christmas, stretched out on the couch and indulged myself.
Which brings me neatly to Day 3 of the Brain Candy Blow-Out. I feel that my cup may be starting to runneth over:
SEEN: Unleashed – Once upon a time there was a man called Bruce Lee. But he died. And then along came another man, and he was called Jackie Chan. He was known as “The New Bruce Lee.” Until Jet Li came along…and then he was “The New Bruce Lee”. Until last year, when people starting calling Tony Jaa “The New Bruce Lee”… But before I disappear up a Post-Modern Bunghole, let’s backpeddle a step to the Last New Bruce Lee.
Unleashed gives Jet Li the opportunity to do something he doesn’t often get the opportunity to do: act. Sure, he kicks much ass, but in between all the bone-snapping, the gravity-defying critter gets to exercise his thespian chops too. This Is Good. Unleashed reminds me an awful lot of Leon. Unsurprising, because the fingerprints of Luc Besson are all over this thing. Like Leon, this is the story of a killing machine who discovers love and emotions amongst all the crunching cartilage and arcing sprays of blood.
And it’s great. You get a full-on scenery-chewing Bob Hoskins, you get grey, rainy Glasgow, you get Morgan Freeman at his avuncular best, you get Mozart and underground fight clubs and the joys of vanilla ice cream and wire-fu. Also, you get a film that succeeds in convincing you that Violence is Wrong, whilst indulging in some brutal and exciting set pieces. Something for the sensitive adrenalin junkie in your life.
READ: The Pocket Essential Sergio Leone by Michael Carlson – When I started film critiquing years ago, we used to get handed books like this all the time to review. But they’re review-proof. It’s a brief whirlwind tour through a genre / director / actor (delete as applicable) which is readable enough and handy when you need to either research something or you’ve got some time to kill. This book is one of the better entries in the series, but the only truly essential Leone book is Christopher Frayling’s stunning Something To Do With Death which is exhaustive and perfect in all ways. My main gripe with the book is the number of typos. For such a slender volume, there’s a hell of a lot of them. Surely proofreaders aren’t that expensive these days?
CLICKED: So at around 1am, I fired up the laptop for an aimless surf, and I stumbled upon the nexus of all musical realities, Last.FM. I couldn’t leave it alone. Track after track of funky goodness delivered straight to my hungry earholes, from forgotten favourites to new discoveries. All my musical prayers have been answered. Loads of interesting bits to play with, and I’m thinking of adding something to the blog from over there, too.
One of my aims this year is to customise Sucker Punch a bit more, to move away from the feeling of Huge Chunks of Text. There will be The New and The Shiny here this year. Oh yes, there will, as I trick the blog out with lovelinesses. Think of it as Pimp My Site.
And this seems as good a time as any to remind you of the following: You love me. You all love me. I make women swoon, and I make men get all Brokeback on me. Why am I telling you all this? Because it’s time for nominees for the 2006 Bloggies. Go and vote. And spare a thought for the fella who sent you, eh? Just sayin’…
Still got that spring in my step, and that glide in my stride.
The family were away last night and I was left to my own devices (never a good thing), which meant I eventually forced myself to go to bed at around 3.30am…and I struggled to get to sleep even then…and I woke up three hours later to get ready for work and I feel absolutely fine. Invigorated. I can’t decide whether or not this is a Bad Thing.
I’ve got into the habit of watching loads of Lost re-runs over the last week or so. Frickin’ obsessed with that show. I see Hurley’s numbers everywhere, flickering behind my eyelids like Tetris blocks…
So, last night, I dug out the half-bottle of brandy that I bought for Christmas, stretched out on the couch and indulged myself.
Which brings me neatly to Day 3 of the Brain Candy Blow-Out. I feel that my cup may be starting to runneth over:
SEEN: Unleashed – Once upon a time there was a man called Bruce Lee. But he died. And then along came another man, and he was called Jackie Chan. He was known as “The New Bruce Lee.” Until Jet Li came along…and then he was “The New Bruce Lee”. Until last year, when people starting calling Tony Jaa “The New Bruce Lee”… But before I disappear up a Post-Modern Bunghole, let’s backpeddle a step to the Last New Bruce Lee.
Unleashed gives Jet Li the opportunity to do something he doesn’t often get the opportunity to do: act. Sure, he kicks much ass, but in between all the bone-snapping, the gravity-defying critter gets to exercise his thespian chops too. This Is Good. Unleashed reminds me an awful lot of Leon. Unsurprising, because the fingerprints of Luc Besson are all over this thing. Like Leon, this is the story of a killing machine who discovers love and emotions amongst all the crunching cartilage and arcing sprays of blood.
And it’s great. You get a full-on scenery-chewing Bob Hoskins, you get grey, rainy Glasgow, you get Morgan Freeman at his avuncular best, you get Mozart and underground fight clubs and the joys of vanilla ice cream and wire-fu. Also, you get a film that succeeds in convincing you that Violence is Wrong, whilst indulging in some brutal and exciting set pieces. Something for the sensitive adrenalin junkie in your life.
READ: The Pocket Essential Sergio Leone by Michael Carlson – When I started film critiquing years ago, we used to get handed books like this all the time to review. But they’re review-proof. It’s a brief whirlwind tour through a genre / director / actor (delete as applicable) which is readable enough and handy when you need to either research something or you’ve got some time to kill. This book is one of the better entries in the series, but the only truly essential Leone book is Christopher Frayling’s stunning Something To Do With Death which is exhaustive and perfect in all ways. My main gripe with the book is the number of typos. For such a slender volume, there’s a hell of a lot of them. Surely proofreaders aren’t that expensive these days?
CLICKED: So at around 1am, I fired up the laptop for an aimless surf, and I stumbled upon the nexus of all musical realities, Last.FM. I couldn’t leave it alone. Track after track of funky goodness delivered straight to my hungry earholes, from forgotten favourites to new discoveries. All my musical prayers have been answered. Loads of interesting bits to play with, and I’m thinking of adding something to the blog from over there, too.
One of my aims this year is to customise Sucker Punch a bit more, to move away from the feeling of Huge Chunks of Text. There will be The New and The Shiny here this year. Oh yes, there will, as I trick the blog out with lovelinesses. Think of it as Pimp My Site.
And this seems as good a time as any to remind you of the following: You love me. You all love me. I make women swoon, and I make men get all Brokeback on me. Why am I telling you all this? Because it’s time for nominees for the 2006 Bloggies. Go and vote. And spare a thought for the fella who sent you, eh? Just sayin’…
Still got that spring in my step, and that glide in my stride.
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